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Reconstruction of the temple of Isis.
The temple of Isis is situated to the north of the Large Theatre, between the Samnite Gymnasium and the Temple of Jupiter Meilichio. As we are told in an inscription on the architrave, this religious complex was restored after the earthquake of A.D. 62 by a private individual, the wealthy freedman Numerius Popidius Ampliatus in the name of his son Numerius Popidius Celsinus. The temple was first built around the end of the 2nd cent. B.C. The sacred area is bounded by a high wall with a colonnaded quadriporticus inside, at the centre of which the temple stands. The ground plan is unique the cella, which is wider than it is deep, is set on a tall podium and is preceded by a pronaos with four columns on the front and two on the sides. The main entrance consists of a flight of stairs on the front of the building, while a subsidiary staircase is on the south side. Two niches with triangular pediments, on either side of the cella outside the columns of the pronaos, housed the statues of Harpocrates and Anubis, divinities connected with the cult of Isis. On the exterior wall of the back of the temple there is a third niche for the simulacrum of Dionysius between two ears in stucco, symbols of the god's benevolence in giving petitions a hearing.
The Temple of Isis rose on a podium. When its excavations were in progress, a large marble hand, two human skulls, and other ritual objects were found there. The decoration on the outside of the temple consisted of white stucco panels and a polychrome frieze of volutes. The walls of the portico were painted with a pattern of red panels, at the centre of which were priests of Isis, framed by architectural elements and small landscape scenes. A statue of Venus and the bronze herm of C. Norbanus Sorex, an actor, were found in the south corner, while a statuette of Isis dedicated by the freedman L. Caecilius Phoebus was found near the west corner. The entrance to the courtyard, flanked by two piers with engaged half-columns, is at the centre of the east side.
A shrine with a fresco, now transferred, depicting a priest before Harpokrates, is in the wall across the way.
A square unroofed building in the southeast corner of the courtyard is the so-called Purgatorium, in which purification rites were held. A staircase leads to a vaulted subterranean chamber, which contains a basin for river water. The facade has a broken triangular pediment and a frieze with two processions of priests converging towards the centre. Mars with Venus and Perseus with Andromeda are shown on the side walls.
The most important of the various altars set up in the courtyard and between the columns of the portico is the one between the Purgatorium and the temple. The remains of the sacrifices were collected in a well that was fenced off in the northeast corner of the courtyard.
A series of living quarters for the priests opens off the south wall of the portico, while the west wing is almost completely occupied by the elevation of the Ecclesiasterion with five arched entrances. This large hall was where those initiated in the cult of Isis met. When it was discovered, the names of Numerius Popidius Celsinus, his father, and his mother Corelia Celsus, could be read on the pavement. The walls are frescoed with five panels of sacred subjects in Egyptian style and representations of Io in Egypt and Io in Argos. The remains of an acrolythic statue were found in front of this room. Two other rooms which communicated with the Ecclesiasterion were clearly used for cult purposes.
Statue of Isis, found in the Temple of Isis in Pompeii and kept now in the Archaeological Museum of Naples.
The name Isis was a Greek transcription of ist , a popular Egyptian goddess, whose cult was taken by many people assumed (Greeks, Romans and Gauls). It seems that originally she was worshipped in the area of the Delta, and she was not very popular. But soon her cult spread with the cult of Osiris, who was her brother and husband. The triad Isis, Osiris and Horus (their son) became the most famous and venerated of Egypt.
Her main prerogatives were those of protector of women, a symbol of fertility of Egypt after the spring floods. Exactly in spring solemn processions and festivities were celebrated in his honour, parties where all the people participated.
The Greeks identified this goddess with Demeter, but also with Aphrodite and Era.